Rainbow Blessing

The Calling NoteCard By Charles FrizzellCharles Frizzell claims a special relationship with the earth and a bond with Indian cultures that is projected in his work. Although a Kentucky born Caucasian with only a touch of Cherokee in his blood, Charles Frizzell respectfully and vividly demonstrated Indian lore in his art. The Native American influence seen in our comes from a spiritual and ancestral kinship. I am strongly attracted to the artwork of the American Indians, which was never designed to hang in museums, but became a part of daily and spiritual life. I borrow images, symbols and artifacts to help generate within our work a response to the need for balance in the relationship of ourselves to the planet and the creator.

Canyon Echoes NoteCard By Charles Frizzell

Charles Frizzell claims a special relationship with the earth and a bond with Indian cultures that is projected in his work. Although a Kentucky born Caucasian with only a touch of Cherokee in his blood, Charles Frizzell respectfully and vividly demonstrated Indian lore in his art. The Native American influence seen in our comes from a spiritual and ancestral kinship. I am strongly attracted to the artwork of the American Indians, which was never designed to hang in museums, but became a part of daily and spiritual life. I borrow images, symbols and artifacts to help generate within our work a response to the need for balance in the relationship of ourselves to the planet and the creator.

Sharing the Gift NoteCard By Charles Frizzell

Beautiful Spiritual Art inspired by the natives of America.

Angel Fountain NoteCard By Gilbert Williams

Flights of Imagination NoteCard By Gilbert Williams

Charles Frizzell claims a special relationship with the earth and a bond with Indian cultures that is projected in his work. Although a Kentucky born Caucasian with only a touch of Cherokee in his blood, Charles Frizzell respectfully and vividly demonstrated Indian lore in his art. The Native American influence seen in our comes from a spiritual and ancestral kinship. I am strongly attracted to the artwork of the American Indians, which was never designed to hang in museums, but became a part of daily and spiritual life. I borrow images, symbols and artifacts to help generate within our work a response to the need for balance in the relationship of ourselves to the planet and the creator.