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Messenger of Light

Messenger of Light NoteCard By Gilbert Williams

^$3⁷⁰

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Pool of Light

Pool of Light NoteCard By Gilbert Williams

^$3⁷⁰

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Transitions

Transitions Matted Art By Charles Frizzell

^$21⁴⁰

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Moon Temple

Moon Temple Gilbert Williams

^$3⁷⁰

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Power Stone

Power Stone NoteCard By Gilbert Williams

^$3⁷⁰

Celestial Visitation NoteCard By Gilbert Williams

^$3⁷⁰

White Feather Woman

White Feather Woman NoteCard By Charles Frizzell

^$3⁷⁰

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Awakening Flora

Awakening Flora NoteCard By Gilbert Williams

^$3⁷⁰

Ascending Soul NoteCard By Gilbert Williams

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Rainbow Blessing

Rainbow Blessing NoteCard By Charles Frizzell

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Moon Goddess

Charles Frizzell claims a special relationship with the earth and a bond with Indian cultures that is projected in his work. Although a Kentucky born Caucasian with only a touch of Cherokee in his blood, Charles Frizzell respectfully and vividly demonstrated Indian lore in his art. The Native American influence seen in our comes from a spiritual and ancestral kinship. I am strongly attracted to the artwork of the American Indians, which was never designed to hang in museums, but became a part of daily and spiritual life. I borrow images, symbols and artifacts to help generate within our work a response to the need for balance in the relationship of ourselves to the planet and the creator.

^$3⁷⁰

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The Hidden Worlds

The Hidden Worlds NoteCard By Gilbert Williams

^$3⁷⁰

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Sacred Drumming

Sacred Drumming NoteCard By Charles Frizzell

^$3⁷⁰

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Woman between the Wind

Woman between the Wind NoteCard By Charles Frizzell

^$3⁷⁰

The Pathway

The Pathway NoteCard By Gilbert Williams

^$3⁷⁰

The Gathering Place

The Gathering Place NoteCard By Gilbert Williams

^$3⁷⁰

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Radiance

Charles Frizzell claims a special relationship with the earth and a bond with Indian cultures that is projected in his work. Although a Kentucky born Caucasian with only a touch of Cherokee in his blood, Charles Frizzell respectfully and vividly demonstrated Indian lore in his art.The Native American influence seen in our comes from a spiritual and ancestral kinship. I am strongly attracted to the artwork of the American Indians, which was never designed to hang in museums, but became a part of daily and spiritual life. I borrow images, symbols and artifacts to help generate within our work a response to the need for balance in the relationship of ourselves to the planet and the creator.

^$3⁷⁰